Contributor, Platypus: The CASTAC Blog
I study computing, visual representation and digital 3D modeling for film, games and education. I am especially interested in the creative process, collaborations between artists and coders, and how learning happens in games.
Contributions to Platypus: The CASTAC Blog
On January 21, 1967, a mild winter Saturday in Cambridge, Massachusetts, a couple of computer researchers from the Artificial Intelligence (AI) Laboratory at the Massachusetts Institute of Technology (MIT) flagged down a taxi near Tech Square. Loading a bulky, 60-pound teletype called a 35 KSR (“Keyboard Send/Receive”) into the trunk, they set off for downtown Boston, across the river. A short while later, the cab pulled up at the Young Men’s Christian Union (YMCU), and the researchers wrestled the machine up the stairs to the second floor, where the Boylston Chess Club was setting up for a weekend tournament.
In the 21st century, game companies are expanding what can be done with 3D interactive tools and virtual spaces. Companies like Epic Games are increasing blurring the lines between industries as diverse as simulation, film production, and a wide range of XR experiences (virtual reality, mixed reality, and augmented reality). In a recent example, an estimated 10.7 million people simultaneously logged on to Epic’s Fortnite for a live, in-game music experience(1).
Over 30 years ago, the game industry was in its infancy, the Apple II personal computer had been introduced with little available software, and motivated people wrote their own programs. In 1986, a small Los Angeles game publisher called Electric Transit, Inc. released one of the first 3D games designed for a personal computer. Wilderness: A Survival Adventure, was a first-person, simulation/resource management game that could run under DOS or on an Apple II. (more…)
Star Wars’ legion of fans were rewarded in rewarded in December 2019 with the long-awaited release of Star Wars, The Rise of Skywalker, filled with state-of-the-art computer graphics. 42 years earlier, George Lucas presented the first film in the series, Star Wars Episode IV—A New Hope. For the most part, Lucas’ 1977 work was a traditionally-produced film, which filmed painstakingly hand-crafted physical models of miniature spacecraft and terrain to create an alternate universe. But the film also featured several examples of the earliest computer graphics to appear in a feature-length production.(1) In the intervening 42 years, filmmakers embraced and evolved complex computer-generated visual effects into a sophisticated blend of art and technology which has transformed 21st century filmmaking and image culture more generally. (more…)